Download Acrylic Basics for Beginners by Lee Hammond PDF

By Lee Hammond

Lee Hammond is helping you get your acrylic work previous that preliminary “awkward stage” with nice tips and tips for attaining lifelike effects.

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The rock formations that surround the waterfall form numerous triangles that point to the focal point. This painting needs many eye stoppers and fillers because of the complexity of its composition. eye stopper center of interest fillers 5 Third Triangle-Shape Composition This is an example of another type of triangle-shape composition. The fillers and eye stoppers actually form the shape of the triangle and the center of interest is located within the triangle. The eye follows the triangle eye flow created by the dead tree, tepees and the stump.

4 round sable brush, layer the highlights, beginning with the right side of the mountain. Concentrate the highlights on this side first because the sunlight is coming in from the left. Make the highlights brighter at the top of the mountain and gradually fade them to the base. C O U N T RY G E TAWAY 45 1371_1_Text_P42_53_4C 8/20/08 20:38 Page 46 LRG08081371_001 LPP (SU) P46 6 Underpaint Background Trees The trees create depth in this composition. Fade the trees from right to left to keep the viewer’s eye from leaving the canvas.

4 flat bristle brush. Darken the mixture and block in the smaller hill. Make the edges of the hills are soft. 4 Underpaint Background Trees This is a fairly simple step. Darken the same mixture that you mixed in step 3 with a small amount of Ultramarine Blue, Burnt Sienna and Dioxazine Purple. Add a touch of Hooker’s Green to this mixture. Block in the shape of the trees with a no. 6 flat bristle brush. The trees act as eye stoppers and are slightly higher than the hills on each side of the canvas.

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