By David Bischoff
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At that time it was standard library practice to tell stories only found in books, but Belpre's folkloric story made such a deep impression on Davis and on her fellow classmates that she was given special permission to tell her unpublished tales at the branch story hours. In 1929 Belpre was assigned to the 115th Street branch in southwest Harlem, then a predominately Puerto Rican neighborhood. In her efforts to reach the Puerto Rican community she introduced bilingual story hours and obtained permission to allow the parents of the children to attend.
They do demand sincerity and openness, and they tend to suffer honest fools gladly. W. Post STORYTELLING TO CHILDREN IN LIBRARIES • 31 Center, Long Island University; and "A(ugusta) Baker's Dozen: A Celebration of Stories," sponsored by the Richland C o u n t y Public Library, the College of Library and Information Science at the University of South Carolina, and the South Carolina State Library every April— offer inspiration to both novice and experienced storytellers. "33 NOTES 1. Elizabeth Keith Botset, " T h e O n c e - U p o n - a - T i m e Hour," Carnegie Magazine 6 (February 1933): 266-269.
Y : " T h e Great Bell of Peking" from The Golden Bird, by Katharine Gibson. m. Fontainebleau Hotel—La Ronde Room Storytelling Festival continued Stories told in honor of Ruth Sawyer Durand Mrs. Frances Clarke Sayers, storyteller, author, and lecturer on children's literature, Los Angeles, Calif: Hero Cycle from The Wonder Smith and His Son, by Ella Young; "Old Fire Dragaman" from The Jack Tales, by Richard Chase; "The Hare and the Hedgehog" from Told Again, by Walter de la Mare. F I G U R E 2.